I love working in the exciting new medium of metal clay. It allows the artist to design high tech or in an extremely organic manner. While beginners can achieve success in a short four-hour class, taking home a finished piece, the seasoned artisan can make jewelry of the highest complexity and difficulty. The industry started in Japan with two companies manufacturing silver and gold clays. (See: What Is Metal Clay) Development in the field has grown exponentially in the last few years with the recent development in the United States of bronze and copper clays. Even steel and stainless steel clays are now available. Further work is being done with firing methods and times for these newer base metal clays. These have opened up the world of metal clay to more people, because of their lower cost. I love the bronze with the natural patina finish from charcoal firing because the colors not only impart a warm feel visually but the pieces just beg to be touched and, even then, don’t feel cold or hard like most metal.

I became aware of metal clay as a product in 2004 and devoured everything I could find out about it on the Internet. Shortly after that I began my class work to attain my Senior Certified Instructor status with Art Clay Silver, a product of Aida Corporation, Japan. This allows me to not only teach intro and intermediate level classes, but also certify others in the First and Senior levels in my basement studio. From the beginning I have been fortunate to have my work recognized many times by Art Clay World through their annual North American Design Competition.

In college I majored in music and art, but it was at a time when jewelry was considered a craft, so I had little exposure to the medium. The process of sawing and soldering always left me a little cold, as well, but I loved getting my hands dirty with clay. I guess that’s why I love the metal clay so much. The artistic connection is very direct and tactile.

I still live in a small, originally agricultural, community only 30 minutes from downtown Minneapolis on a 17 acre ranch that my late husband and I built from scratch. He loved breeding Arabian horses, giving lessons and mentoring over 300 students from 4-70. I also miss my mom who lived with us for 17 years and passed just 6 months before my husband. I have a wonderful studio here in my home and have lost none of my excitement, after 16 years, in creating wonderful wearable art just for you.


On Q Designs, Rogers, MN, 763-428-4695 kate@onqdesigns.net

• Presidential Grand Prize, Sweet Flower of Youth

• Special Achievement - Japan (2), Rebirth of Venus and Fenji

• Honorable Mention, Faerie Queen

North American Design Competition 2006

• Art Clay Society Director's Award, Primary Enterprise

• Art Clay Club (Japan) Chairman, Cup of Human Kindness

• Honorable Mention, Queen of the Nile

North American Design Competition 2007

• Honorable Mention, Time: Chronos

World Metal Clay Conference 200

• Presenter--Gold, Gold, Gold

Featured Artist, Metal Clay Artist Magazine

• Issue 1, December 2009

North American Design Competition 2005